JOSE GALVAN ARTIST PAINTER MONTMARTRE PARIS FRENCH
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Posted by JOSE GALVAN ARTIST PAINTER MONTMARTRE PARIS FRENCH on October 20, 2003 at 12:10:17:
Pages from Art History of art journal THE SECRETS OF PERFECTION
BIOGRAPHY of GALVAN Josť - painter with MONTMARTRE
GALVAN Josť - ASPE (Province of ALICANTE - Spain) July 30, 1910 - BENIDORM (Spain) August 25, 2001. To the 19 years age, it went to live with ALCOY (Spain) and works in an industrial school where it draws copies. There, its Professors notice his work and direct it in the section "drawing according to nature". After the civil war, it follows courses of the evening to BARCELONA (school REAL CIRCULO ARTISTICO).Il paints alive models then. It exposes the naked ones, portraits and landscapes in BARCELONA, PERPIGNAN (1959-1960) and in MONTPELLIER. GALVAN settles in PARIS in 1962 and exposes to the Living room of free Art. With the Large Palate, it is present at the exposure of the Spanish painters of PARIS, organized by the Ministries for the Culture of France and Spain. With MONTMARTRE, it takes part in the manifestations of the Town hall of XVIIIe and shows its works in the church hall of theSaint-Pierre church. The biography of the Spanish painter Josť GALVAN appears in the DICTIONARY OF PAINTERS A MONTMARTRE (1999) - Editions Andre ROUSSARD - 13, street of the Mount Cenis 75018 PARIS FRANCE. **************************************************************************
But modern art did not touch the most sensitive soul of artist Josť Galvan. Art impressionism cast a glamour the artist, and he chose this mean of artistic expression. As like Masaccio was born with temperament of Giotto in next century as artist Josť Galvan was born with temperament of Renoir. Looking at his pictures we feel how strong were his feelings to his native country Spain, its harbors, its songs, dancers and showgirls, to Paris and Parisians. Only being in Montmartre, walking on the ground that was stepped by his favorite artists was for him supreme happiness. This happiness made him got dizzy, because this happiness was too large for a human being. This happiness was a reason of his long enough life. It seems inspiration never leaves him. In some aspects creative work of Josť Galvan can be related with sentimentalism of Spanish artist Murillo and with tenderness of young Goya. Yes, art of Josť Galvan is sweet, sweet to inconceivable degree, but this sweetness is so true, poetic, sublime and excused that the author can not be objurgated in any case.
We can compare Galvan's copy of Renoir LES JEUNES FILLES AU PIANO with original for the seeing their differences that are the differences between French impressionism and its variation by Galvan. Galvan is more monumental, broad brushed. If Renoir concerns more about details, Galvan about the whole of picture. Josť Galvan paints mixing paints on palette. Galvan's contrasts of values are less, lights warmer and softer, motions of figures also softer and more natural, lines play greater role. Galvan is a master of wavy vibrating line. Especially it is seen in drawing below TROIS ETUDES DE NUS. Galvan more spiritual. He converts prose of Renoir into poetry. Thus we may conclude that painting of Josť Galvan is particular mixture of French impressionism and Spanish classical art. If Renoir went toword modernity, Josť Galvan tried to seek eternal valuables.
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