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Re: Re: Re: Copyright vs Public Domain


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Posted by M. Arthur Auslander on April 25, 2000 at 03:59:15:

In Reply to: Re: Re: Copyright vs Public Domain posted by JD Lail on April 24, 2000 at 09:11:42:

: : : We are in the middle of a huge argument in a
: : : newsgroup over a copyright issue. In particular
: : : this is rooted in the case of Anderson vs. Stallone
: : : which you are probably familiar with.

: : : The crux is how to interpret the status of Andersons
: : : work when he was denied a copyright. As far as I know
: : : his entire atristic output was reflected in the
: : : item that was adjuduicated.

: : : What is the status of Anderson's original dialog,
: : : prose, plot, et al, excluding Stallones copyrighted
: : : material ? Is it de facto public domain ? Or perhaps
: : : worthy of a separate copyright ? Or something else ?

: : : there is no prior art on Anderson's side, that

: : The is so much out there, that a case name is meaningless without the facts and law. I don't even remember the
: : holding in Marbury V Madison.
: : I don't have the time to look up the case by name. I you have a question, it would help to have facts and law.

: : The denial of a copyright, sounds strange, copyrights are registered without examination. Prior art is involve with patents.

: Sorry this was a famous IP case from what I've
: been told. I just assumed too much. :)

: In a nutshell Mr. Anderson wrote an unsolicted
: sequel to the movie Rocky. He sued when Rocky
: IV came out and was very similar to his script/
: book. The judge declared that his work was
: derivative and he got nothing.

: The question is whether the parts of work which
: were wholly original could be picked up and used
: by anyone as if they were in the public domain
: since Mr. Anderson could not secure a copyright
: on them without reformulating them a great deal
: to eliminate the offending material.

: Thanks
: Don Lail
A copyright protects the mode of expression not the idea. Anderson and anyone is entitled to copyright protection, I fact the law applies as the work is created. Registration enables enforcement.

The theme ideas are not protected by the copyright.

I had an author client who wrote for a mass book publisher. The client was always relieved when his theme ideas were assigned to him for book
authorship.

The wholely original expression in the Anderson work is protected under the copyright law even if he had no rights to the Rocky sequel. The theme idea is usable.

It is my belief that if Shakespeare had a valid copyright on Romeo and Juliet when West Side Story came out, that Shakespeare would lose in a copyright infringement suit.

M. Arthur Auslander
Auslander & Thomas-Intellectual Property Law Since 1909
505 Eighth Avenue, New York, NY 10018
212-594-6900, fax 212-244-0028, aus@auslander.com
ELAINE's Workshop (sm)
E arly L egal A dvice I s N ot E xpensive



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